The Life of a Cultural Historian November 25, 2015

English Literature Professor Manfred Weidhorn Reflects on 52 Year Career at Yeshiva University

Since 1963, Yeshiva University students looking for an engaging encounter with English literature have been able to find courses taught by Dr. Manfred Weidhorn, the Abraham and Irene Guterman Chair in English Literature and professor emeritus of English, on the roster.

20151119_Manfred_Weidhorn_020An immigrant from Vienna who earned his PhD in English at Columbia University, Weidhorn is a prolific scholar and writer whose works include a dozen non-fiction books and over a hundreds essays on Shakespeare, Milton, Winston Churchill, Galileo, literary themes, cultural history, and the relationship between religion and science, in addition to young adult biographies of Napoleon, Robert E. Lee, and Jackie Robinson. At Yeshiva College and Stern College for Women, he has taught classes on topics that range from the Russian short novel to the Scientific Revolution and everything in between, encouraging students to approach each topic in new and sometimes unconventional ways.

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What Libraries Can (Still) Do James Gleick

Deutsches Historiches Museum/Arne Psille/Art Resource Heinrich Lukas Arnold: The Reading Room, circa 1840

Of the many institutions suffering through the world’s metamorphosis from analog to digital (real to virtual, offline to online), few are as beleaguered as that bedrock of our culture, the public library. Budgets are being slashed by state and local governments. Even the best libraries are cutting staff and hours. Their information desks are seemingly superseded by Google, their encyclopedias are gathering dust. And their defining product, the one that lines their shelves, now arrives in the form of a weightless doppelgänger that doesn’t require shelves.

In the technocracy, all the world’s information comes to us on screens—desk, pocket, wrist, goggles—and no one trudges through wind and rain with library card in hand to find a single worn object. After all, when you want the text of Magna Carta, you don’t track down the original. Same with books? “Libraries are screwed,” said Eli Neiburger, a Michigan library director, in a much-quoted presentation at a Library Journalconference in 2010. “Libraries are screwed because we are invested in the codex, and the codex has become outmoded.”

So is the library, storehouse and lender of books, as anachronistic as the record store, the telephone booth, and the Playboy centerfold? Perversely, the most popular service at some libraries has become free Internet access. People wait in line for terminals that will let them play solitaire and Minecraft, and librarians provide coffee. Other patrons stay in their cars outside just to use the Wi-Fi. No one can be happy with a situation that reduces the library to a Starbucks wannabe.

Perhaps worst of all: the “bookless library” is now a thing. You can look it up in Wikipedia.

Read more:http://www.nybooks.com/blogs/nyrblog/2015/oct/26/what-libraries-can-still-do-bibliotech/

Reinventing the library by Alberto Manguel

The Oberlausitzische Library of Sciences in Gorlitz, Germany. Credit Florian Monheim/Arcaid via Corbis

Plato, in the “Timaeus,” says that when one of the wisest men of Greece, the statesman Solon, visited Egypt, he was told by an old priest that the Greeks were like mere children because they possessed no truly ancient traditions or notions “gray with time.” In Egypt, the priest continued proudly, “there is nothing great or beautiful or remarkable that is done here, or in your country, or in any other land that has not been long since put into writing and preserved in our temples.”

Such colossal ambition coalesced under the Ptolemaic dynasty. In the third century B.C., more than half a century after Plato wrote his dialogues, the kings ordered that every book in the known world be collected and placed in the great library they had founded in Alexandria. Hardly anything is known of it except its fame: neither its site (it was perhaps a section of the House of the Muses) nor how it was used, nor even how it came to its end. Yet, as one of history’s most distinguished ghosts, the Library of Alexandria became the archetype of all libraries.

Libraries come in countless shapes and sizes. They can be like the Library of Congress or as modest as that of the children’s concentration camp in Auschwitz-Birkenau, where the older girls were in charge of eight volumes that had to be hidden every night so that the Nazi guards wouldn’t confiscate them. They can be built from books found in the garbage, like the Yiddish Book Center in Amherst, Mass., set up in 1980 by the 24-year-old Aaron Lansky from volumes discarded by the younger generations who no longer spoke the tongue of their elders, or they can be catalogued in the mind of their exiled readers, in the hope of resurrection, like the libraries plundered by the Israeli soldiers in the occupied territories of Palestine. It is in the nature of libraries to adapt to changing circumstances and threats, and all libraries exist in constant danger of being destroyed by war, vermin, fire, water or the idiocies of bureaucracy.

Read more: http://nyti.ms/1R0E2G8

The Long(ish) Read: Walter Benjamin Unpacking his Library

Walter Benjamin in Paris. Image © Gisèle Freund

Welcome to The Long(ish) Read: a new AD feature which uncovers texts written by notable essayists which resonate with contemporary architecture, interior architecture, urbanism or landscape design. In this essay, written in 1931, Walter Benjamin narrates the process of unpacking his library. All in boxes, he takes the reader through elements of his book collection: the memories attached to them, the importance he placed on the act of ‘collecting’ and the process of accumulation, and how objects like books inhabit a space.

Walter Benjamin in brief

Born in Germany in 1892, Benjamin was known as a ‘man of letters’. Having been educated in Switzerland he had a short career in the lead up to the Second World War, which saw him carve a niche as a literary critic. In the 1930s he turned to Marxism, partly due to the influence of Bertolt Brecht and partly due to the rise of extreme right-wing politics in Europe. He spent much of his professional life in Paris, where he wrote this essay. Benjamin died in 1940 having committed suicide at the French–Spanish border while attempting to escape the Nazis. Read more...